Rhys Chatham, a nineteen-year-old musician and composer, had initiated the music program in 1971—the year The Kitchen was founded—by starting a series of events on Monday nights. His skill for inter-genre synthesis had a lasting impact on his peers and continues to influence contemporary artists. To view the full press release, click here. After meeting again, this time in Boston, Russell invited Brooks and some of his bandmates to record music together. Though the band’s frontman Jonathan Richman performed with his own earnest theatrics, it seems the “show” was not the strict, staged affair that the term often signals. He figured there could be a cross reference between dance music and downtown Soho new music.” Russell’s curatorial work at The Kitchen shows that he began working to realize this mission early in his career. The press release serves as an institutional record characterizing Russell’s legacy as a pioneer who introduced new programming to the organization. Jim Burton assumed the role of Music Director in 1972, and continued programming in this vein. Additional support for Reloaded was generously provided by the Foundation for Contemporary Arts. While the show began with a mix of standards and Modern Lovers originals, the second half of the evening featured the band fielding requests, supplied mainly by the fans. The Kitchen center for art, video, music, dance, performance, film and literature. The disapproval of the Lovers’s performance was not solely due to a judgment of artistic merit or musical sophistication. The potential for tensions between the downtown artists curated by The Kitchen and the wide-ranging artists brought in by other spaces in the building dissipated with the move, postponing a debate within The Kitchen about the differences in the artistic merit of avant-garde experimentation, pop aesthetics, and entertainment. I was excited about it … Richman just brought a fresh air that I thoroughly enjoyed. Detail. Using its own extensive history as a resource, the organization identifies and supports artists who are making significant contributions to their respective fields as well as serves as a safe space for more established artists to take unusual creative risks. There was overlap in programming that took place across the different spaces within Mercer Arts Center: The Dolls, for example, performed at The Kitchen on May 5, 1972 and, later that year, had a months-long residency at the Oscar Wilde Room. His involvement in Manhattan's downtown performance scene of the '70s resulted in a long running association with the Kitchen. And through the decades until today, The Kitchen has continued to deepen and expand its metamorphic approach to discipline and genre, further revealing the lasting impact of Russell’s programming. 3) Poster for Jonathan Richman and The Modern Lovers, Rock and Roll Show at The Kitchen, 1975. On Iowa Dream , we meet the aspiring pop star. With time, it became clear that, in staging the Rock and Roll Show, Russell successfully introduced new perspectives into The Kitchen. featured gallery for June 2018 Overnight Wave (For Arthur) My mind drifted out to sea at a performance of avant-garde musician Arthur Russell's Instrumentals this spring at The Kitchen. Instrumentals Volume 1 (Part 6) 7. Arthur Russell: The Kitchen, New York NY. Russell was excited by what he encountered in the Modern Lovers’s music: an approach to the project of sonic deconstruction and abstraction that was different from what was happening in the downtown scene. Just right for the changing of seasons, Audika offers another glimpse into the expansive world of Arthur Russell. 4) Version of press release for Arthur Russell, 24 to 24 Music at The Kitchen, 1979. . As a complement to our Archive Website, these posts offer focused reflections on the artists, exhibitions, events, and institutional practices that have defined and shaped The Kitchen since its founding in 1971. The Lama Ngawang Kalzang had been meditating for twelve years in various caves and retreats in the wilderness of the mountains of Southern Tibet. © Terri Bloom. To view the calendar, click here. Courtesy of The Kitchen, c. 1971 - 1999, The … While Russell’s music has received increasing attention, his curatorial work has rarely been the subject of study. Explaining the impact of Russell booking the Modern Lovers, Lawrence writes, “his invitation to Richman broke new ground because it implied that some forms of unadulterated rock didn’t just have minimalist potential but were actually minimalist already.” In his own music, Russell was distilling sound, balancing plain-spoken generalization and nuanced innuendo, defining his own pop idiom. RUSSELL ENTERED Nov 20, 2019 The first months of his programming were representative of the downtown avant-garde scene that had found a home at The Kitchen from the start—with performances by many of the leading figures in the minimalist, electronic, and experimental movements from New York’s downtown scene, including composers and performers such as Éliane Radigue, Laurie Spiegel, and La Monte Young. Instrumentals Volume 1 (Part 7) 8. Taking place in The Kitchen, which was originally located within the Mercer Arts Center in Soho, these music events happened alongside the programs that neighboring performance and exhibition spaces hosted within the Center. IN NOVEMBER 2019, 3) The Kitchen May 1972 programming calendar. Images: 1) Arthur Russell and Peter Zummo in Arthur Russell, 24 to 24 Music, 1979. - … to defy boundaries of genre and explore pop-musical idioms in his curatorial work points to one of the driving forces throughout his career. 512 West 19th Street New York, NY 10011 | (212) 255-5793. His skill for inter-genre synthesis had a lasting impact on his peers and continues to influence contemporary artists. Instrumentals Volume 1 (Part 4) 5. Elana Engelman-Lado, Fall 2019 Curatorial Intern, Elena Engelman-Lado--Fall 2019 Curatorial Intern. Read the best writing on rock music here. Performance view, The Kitchen, detail. The above video documentation is from the 2019 performance of Reloaded at The Kitchen (February 21 & 22), marking the closing of my solo exhibition Animal Static . 2) Floor plan, Mercer Arts Center, circa 1971–1973. He was a Buddhist, an … When Arthur Russell passed away 25 years ago—prematurely at the age of 40, due to AIDS-related illness—he left over 1,000 tapes in his archive. “Funky” is not a word you’d expect to associate with an avant-garde cello player who was the musical director of New York experimental art space The Kitchen … This From the Archives post is written by Elana Engelman-Lado, Fall 2019 Curatorial Intern. He figured there could be a cross reference between dance music and downtown Soho new music.” Russell’s curatorial work at The Kitchen shows that he began working to realize this mission early in his career. Was this Modern Lovers performance anathema to The Kitchen’s ethos, or an expansion of the exploratory mission established just a few years prior? In an interview shortly after Russell’s passing in 1992, his partner Tom Lee described Russell’s drive to “make this art-dance hit. Though his career was cut short by his early death from AIDS-related illness, his posthumous releases continue to expand our understanding of his work. Thousands of articles, interviews and reviews from the world's best music writers and critics, from the late 1950s to the present day. The disapproval of the Lovers’s performance was not solely due to a judgment of artistic merit or musical sophistication. 3) The Kitchen, May 1972 programming calendar. Arthur Russell. Garrett List, who succeeded Russell as Music Director, remembers a vision they shared, recalling that “we wanted to go from minimalism into popular language, and it was very much in the air at The Kitchen to break down those barriers.” Under List’s direction, The Kitchen became a venue for a widening field of artists, including Jazz musicians in particular. Primarily, though, under Chatham’s direction, The Kitchen’s music program focused on the conceptual experimentation of artists from New York’s downtown scene, creating space for composers and performers who had limited opportunities to present this work in other local venues. The Kitchen will screen Wild Combination twice on May 15 and host Arthur Russell tribute concerts May 16-17, thekitchen.org More: Allen Ginsberg Arthur Russell Matt Wolf Music News Tom Lee Highlights Best known as a cellist, singer-songwriter, composer, and electronic musician, Russell wove together dance, pop, classical, and folk music. Russell performing in 1979 at the Kitchen, where he served as musical director in the mid-Seventies. Last night's performance of Arthur Russell's Tower of Meaning, originally written for Robert Wilson's production of Medea, ... 70s-Kitchen style, the first half featured immersive, explorative renditions of compositions by Bach, Julius Eastman, Mary Jane Leach and Mica Levi. These collaborators were attracted to the mixture of classical, folk, and popular music techniques they heard in Russell’s playing. Arthur Russell was an avant-garde cellist active in the New York art scene of the late twentieth century. And that raised a whole other argument/discussion that was going on in the community that I think was probably most brought to a head by a performance by Jonathan Richman and the Modern Lovers. Before his untimely death from AIDS in 1992, Arthur prolifically created music that spanned both pop and the transcendent possibilities of abstract art. The first months of his programming were representative of the downtown avant-garde scene that had found a home at The Kitchen from the start—with performances by many of the leading figures in the minimalist, electronic, and experimental movements from New York’s downtown scene, including composers and performers such as Éliane Radigue, Laurie Spiegel, and La Monte Young. "Arthur Russell's archive is filled with treasures waiting to be discovered by artists and researchers alike, and is a thrilling documentation of his life and artistic process" said Jacqueline Z. Davis, Barbara G. and Lawrence A. Fleishman Executive Director … Tim Lawrence—author of Russell’s biography Hold On to Your Dreams: Arthur Russell and the Downtown Music Scene, 1973–1992—describes a change in atmosphere after the move, writing that the new space gave The Kitchen a different sense of prestige. --David Toop, an A to Z of dub. The Kitchen is a non-profit, interdisciplinary organization that provides innovative artists working in the media, literary, and performing arts with exhibition and performance opportunities to create and present new work. With the exception of a few dance recordings, including "Is It All Over My Face?" Now, to some, it seemed that rock—a pop genre that, thanks to its commercial appeal, enjoyed a broad platform and a wider range of welcoming venues—had invaded their limited space. Though his career was cut short by his early death from AIDS-related illness, his posthumous releases continue to expand our understanding of his work. Please visit The Kitchen OnScreen to read this post along with other texts published in Kitchen Magazine. Instrumentals Volume 1 (Part 8) 9. His involvement in Manhattan's downtown performance scene of the '70s resulted in a long running association with the Kitchen. And through the decades until today, The Kitchen has continued to deepen and expand its metamorphic approach to discipline and genre, further revealing the lasting impact of Russell’s programming. Audika Records released At the time of the concert, some did not consider Richman and his band to be on par with other work presented at The Kitchen. Taking place in The Kitchen, which was originally located within the Mercer Arts Center in Soho, these music events happened alongside the programs that neighboring performance and exhibition spaces hosted within the Center. It was founded in Greenwich Village in 1971 by Steina and Woody Vasulka, who were frustrated at the lack of an outlet for video art. “From the Archives” is a series that spotlights The Kitchen’s history. Though Russell died of complications from AIDS 20 years ago, as the ensemble launched into Instrumentals, he felt very close to the moment and my mind and emotions raced the whole evening. Nobody knew him, nobody had heard of him.
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